Tag: 50 cent

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John Rose and Leron Rogers Join Fox Rothschild, Get Used To Those Names

This week it was announced that two of Dash Radio’s close friends Leron E. Rogers (partner) & John T. Rose (associate) are joining Fox Rothschild LLP in the Entertainment & Sports Law Department in Atlanta.

Why this matters? Well, Rogers & Rose just led the charge in a big lawsuit pertaining Rick Ross’ “In Da Club Remix”. In the suit, 50 Cent was suing Rick Ross for using his “In Da Club” song on a mixtape.

By winning this case they set the precedent that artists can’t go after each other in regards to mixtapes, even if the artists have beef. This gives artists the freedom to express their creativity in the mixtape world, the freedom that makes mixtapes appealing to begin with.

John T. Rose joined our benefit streams earlier this year and has organized plenty of his own benefits including “What A Year To Be Alive” which was hosted by Dash Radio. But what he does for the culture goes beyond what these words can describe.

Imagine if Lil Wayne couldn’t use all the other artists beats he uses on No Ceilings or Da Drought Is Over. The mixtape has been an integral part of hip hop for a long time now & thanks to Rose & Rogers we won’t be losing that anytime soon.

Leron E. Rogers & John T. Rose will lead the way in entertainment law for years to come and them joining Fox Rothschild LLP gives them even more resources to keep defending the culture.

Atlanta has long been a cultural hub for music, especially Hip Hop & R&B so its extra special that the duo Rogers & Rose are representing the law firm in Atlanta, this was emphasized by Marc H. Simon, chair of the firm’s Entertainment & Sports Law Department.

“Georgia has become a center for the arts and entertainment industries and has long been a hub for the hip-hop and rap scene. Expanding our reach with boots on the ground in Atlanta will benefit our client roster nationwide and provide increased opportunities for collaboration and growth,” he continued.

“Georgia has become a center for the arts and entertainment industries and has long been a hub for the hip-hop and rap scene. Expanding our reach with boots on the ground in Atlanta will benefit our client roster nationwide and provide increased opportunities for collaboration and growth,” he continued.

“We are thrilled to strengthen our service offerings in the region,” said Julie Earp, Managing Partner of the firm’s Atlanta office. “Leron and John are well-known and respected attorneys in the legal community and will be integral as we continue to grow our presence in this key market.”

Last month we hosted the John T. Rose “What A Year To Be Alive” benefit stream which can be rewatched on our Twitch channel.

Congrats to both Leron E. Rogers & John T. Rose on the new endeavors! Except to see those names more and more in the coming years.

| Hip Hop | Pop | R&B | Latin | Dance | Country | Rock |

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50 Cent Loses Rick Ross “In Da Club” Remix Appeal

Last week Rick Ross marked a key milestone in the longstanding suit that Curtis “50 Cent” Jackson has brought against Ross for his remix of “In Da Club.”  The U.S. Court of Appeals for the Second Circuit in New York has ruled against 50 Cent’s appeal for the suit that started in 2015.

This is a key precedent marking case for all music creators, regardless of genre, because a victory for 50 Cent would’ve meant that free mixtapes and remixes would no longer be allowed for artists, unless they had the original composers permission regardless of ownership.  50 Cent’s final course of action would be having to take this to the U.S. Supreme Court in Washington, DC.

Rick Ross is represented by the firm Lewis Brisbois Bisgaard & Smith LLP, with Ross being represented by Firm partners Leron E. Rogers, Esq. & Jonathan D. Goins, Esq. and associate John T. Rose, Esq..  Both Leron E. Rogers, Esq. and John T. Rose, Esq. have recently made Billboard’s list of Top Music Lawyers for 2020.

Regarding this case, Leron, Jonathan and John state, “Today is a victory for talented artists, as well as those seeking to license the use of music.  The Second Circuit’s opinion reaffirms the creativity of artists to freely express their performances in sampling or remixing of popular songs, while at the same time, still guaranteeing that those who seek to license such songs (from a publisher or copyright holder) may do so without necessarily having to separately obtain or contractually negotiate one’s right of publicity.  Furthermore, Mr. Roberts’ remix of “In Da Club” was never about Mr. Jackson – but was simply one of many remixes on his mixtape album, which also featured songs by Adele, Nas, Snoop Dogg, Kendrick Lamar, and Lil Wayne.  Artists often perform lyrics in sampling or remixing songs of other artists, as it has long been a staple of hip-hop music.”  The Court correctly recognized this cultural phenomenon noting that:

“In the hip-hop world, the mere use, without more, of a sample from a well-known song, without acknowledgement of the identity of the sampled well-known song, without acknowledgement of the identity of the sampled artists, does not communicate to the relevant audience that the sampled artists has endorsed or sponsored the sampling artist’s work.”

Rick Ross’ attorneys further state, “The “In Da Club” song has been remixed or sampled countless times, even by Beyonce and P-Diddy, without any lawsuit initiated by Mr. Jackson.  So it is interesting – if not for personal animosity – that Mr. Jackson singled out Mr. Roberts for doing the same.  Mr. Jackson’s attempt to usurp the music clearance process was rejected by the lower court, and again now on appeal.  His complaint that Mr. Roberts used “his” “In Da Club” song without permission was misguided:  it isn’t his song.  The song is owned as a copyright by Shady/Aftermath – not Mr. Jackson.  Mr. Roberts’ use of “In Da Club” was a reproduction of a copyrighted work, not otherwise owned by Mr. Jackson.  Lastly, Mr. Roberts’s use of “In Da Club,” as the Court properly ruled, “was neither misleading nor did it imply that Jackson had endorsed Roberts, his mixtape, or his commercial album.”

Mr. Rogers serves as vice-chair of Lewis Brisbois’ Entertainment, Media & Sports Practice and is a member of its Business Practices and Complex Business & Commercial Litigation Practice. He represents institutional and individual clients in a wide variety of commercial litigation proceedings, business and commercial transactions, entertainment, technology, and media.

Mr. Goins is a Partner and Co-Chair of Lewis Brisbois’ Intellectual Property & Technology Group.  He handles intellectual property matters involving trademarks, copyrights, trade secrets, right of publicity and related business torts for a wide range of corporations and high-profile clientele.  He has been consistently ranked in peer-recognitions and publications for his expertise in intellectual property.

Mr. Rose is a member of Lewis Brisbois’ Corporate, Entertainment, Media & Sports and Complex Business & Commercial Litigation Practices. He represents a variety of high-profile clients, including award-winning creatives, multi-platinum recording artists and producers, and celebrity entertainers.

Congrats to our good friend John T. Rose on the big win!

If you missed it go to our Twitch and rewatch What A Year To Be Alive, a charity stream organized and hosted by John T. Rose. Esq.

 

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Pop Smoke’s debut album ‘Shoot for the Stars, Aim for the Moon’ Debuts at No. 1

First and foremost, rest in peace Pop Smoke.

This week his dreams came true as his debut album “Shoot for the Stars, Aim for the Moon” went #1 on the Billboard 200 Albums Chart.

Executive produced by 50 Cent the posthumous Pop Smoke album features Roddy Ricch, Quavo, Lil Baby, DaBaby, Swae Lee, Future, Tyga, Karol G, Lil Tjay & King Combs. Album production was handled by an assortment of producers including Mustard, 808Melo, Tyy Beats, & others.

The album consists of 19 new songs including a remake of 50 cent’s “Many Men” on “Got It On Me”. The comparisons between 50 & Pop stem from their similarities in look and sound. 50 once stated that he & Pop are the same person from two different generations and that the only difference is that 50 is an example of “Getting Rich” while Pop sadly “Die(d) Trying”.

50 cent was shot 9 times on his rise to the top but was lucky enough to live. This explains his involvement in the project as he saw a younger version of himself in Pop Smoke.

50 Cent along with Pop’s manager Steven Victor took on the responsibility of finishing Pop’s debut album and its safe to say the duo completed the mission. Very few rappers go #1 on their debut and Pop is officially on that shortlist of rappers.

The album release came with some controversy as a few weeks ago they released the original artwork from Virgil Abloh. The internet was very disappointed with the lazy album art and 50 Cent made it a point to call upon Virgil to redo the cover.

One of Pop Smoke’s wishes for his debut was to have the Off-White designer do the cover art. The final product was much cleaner and well received by the community.

Rest in Peace Pop Smoke, your name won’t be forgotten!

Brooklyn stand up! Woo!

RIP Pop.

 

 

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50 Cent Calls Out Steven Victor & Virgil Abloh Over Pop Smoke Album Cover Dilemma

First and foremost rest in peace Bashar “Pop Smoke” Jackson.

In light of his murder back in late February, 50 Cent & Steven Victor vowed to complete his upcoming album, Shoot For The Stars, Aim For The Moon.

50 Cent started by enlisting the likes of Drake, Roddy Ricch & more. Well, now the album has some controversy around it when 50 Cent posted the album art designed by Virgil Abloh.

The Hip Hop community wasted no time calling out 50 Cent & Virgil Abloh for the underwhelming cover art. It’s important to note that Pop Smoke had chosen Virgil Abloh for his next cover art but still the people were outraged by the simplicity of the cover.

50 Cent tweeted that he had previously told Pop’s manager, Steven Victor, who is also overseeing the project, that Virgil’s album art wasn’t the right fit.

Then the “In Da Club” rapper went to Instagram to post different variations of a potential album cover for Shoot For The Stars, Aim For The Moon. 50 Cent has leaned towards the people for a solution, posting dozens of variations from an assortment of artists. However, it was Pop Smoke’s wish to have Virgil Abloh create the album art thus 50 has called upon Virgil to recreate his cover.

Pop’s manager, Steven Victor, addressed the situation as well stating that the team is “MAKING A CHANGE” & “POP WOULD LISTEN TO HIS FANS” among other tweets.

The album comes out July 3 and we’re a little over a day away from the release so we will have to wait and see what the “Off-White” creator Virgil delivers in honor of Pop.

Once again rest in peace Pop Smoke & be sure to listen to Shoot For The Stars, Aim For The Moon when it releases on July 3rd. The album boasts features from Lil Baby, DaBaby, Quavo, Swae Lee, Future, 50 Cent, Roddy Ricch, Tyga, and more!